上映：
1948-11-19
备注：
HD中字
TAG：
剧情：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
更新时间：
2025-08-07 01:50:22
播放量：
781次
剧情简介
《欧洲的某个地方》相关问答
1、欧洲的某个地方在哪个台播出？
极速影院网友回答：欧洲的某个地方在腾讯视频、豆瓣视频、芒果TV及策驰影视都可以在线高清观看播放地址:https://www.lqjw.com/jwbj/73167.html
2、网友对《欧洲的某个地方》真实评价如何？值得看吗？
星辰影院 网友回答：刚看完《欧洲的某个地方》，真的很治愈/高燃/感人，中间好几幕眼泪差点忍不住。导演Radványi,Géza把情感拍得很细腻，台词不多但意味深长，不愧是其它/剧情片的精品！看完后劲超大，现在还没缓过来。
3、欧洲的某个地方什么时候上映？
八戒影院网友回答：该剧是在1948年上映的，由导演Radványi,Géza执导，主演Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki演绎的，上映后获得781次点评，在同类型作品中口碑名列前茅。
4、欧洲的某个地方大结局结尾怎么样？
奇优影院网友回答：这部剧情片整体非常不错，结局虽然有点意外，但在同类电影作品中已经很出彩了，豆瓣3.0分实至名归。更多细节可以上豆瓣讨论区看看。
网友热搜
相关影片
2025
剧情片
德国
HD
2025
剧情片
中国大陆,中国香港
HD
2025
剧情片
阿根廷
HD
2025
剧情片
韩国
更新HD
2024
剧情片
美国
亚历山大·卡尔弗特 凯丽?考恩 卡云·金 西蒙·金 克里斯蒂安·武尼波拉 克里斯托弗·马利基 萨拉·加西亚 安妮德赛尔沃 Chris Devlin Drea Garcia Jermain Hollman 埃迪·佩雷斯
The film follows a struggling artist grappling with profound guilt stemming from a past love. Cowan
更新HD
2025
剧情片
美国
更新HD
2025
剧情片
美国
更新HD
2025
剧情片
美国
更新HD
2023
剧情片
美国,法国
更新HD
2016
剧情片
大陆
更新第24集
2005
剧情片
中国香港,中国大陆,韩国
更新HD
2025
剧情片
中国大陆
HD
2025
剧情片
美国
TC中字
2025
剧情片
中国大陆
HD
2025
剧情片
美国
詹妮弗·洛佩兹 迭戈·卢纳 托纳提乌 威尔·菲茨 布鲁诺·比齐尔 林恩·费文 维恩·夏拉 艾琳·马亚戈蒂亚 凯文·迈克尔·布伦南 托马斯·卡内斯特拉罗 德里顿·托尼·多沃拉尼 爱德华多·拉莫斯 克里斯蒂安·加尔维斯 大卫·特纳 德博拉·卡尔多纳 约瑟菲娜·斯卡廖内 奥丹·沃森 迈勒·马卡夫
影片改编自1993年百老汇音乐剧，设定在1981年一座阿根廷监狱里，詹妮弗·洛佩兹出演标题人物——一名虚构出来的女子Ingrid Luna。用想象描绘这名女子的人是同性恋橱窗设计师Molina（托
更新HD
正在热播
更多
2024
动漫
中国大陆
更新第57集
2020
动漫
大陆
更新至169集
2025
动画片
中国大陆
更新TCV2
2025
综艺
大陆
更新至20251013期
2025
综艺
中国大陆
更新720250812大神版
2025
综艺
大陆
更新至20250919期
2025
综艺
中国大陆
更新至20250826期
2025
国产剧
大陆
全30集
2025
国产剧
中国大陆
全32集
2025
国产剧
大陆
全40集
2025
国产剧
中国大陆
全32集
2025
国产剧
中国大陆
全40集
2025
国产剧
中国大陆
全36集
2025
国产剧
中国大陆
段奕宏 秦昊 于文文 吴幸键 刘欢 侯岩松 吴晓亮 张世 胡明 刘之冰 钱漪 王建新 葛四 闫楠 刘帅良 傅淼 马跃 王建国 郑强 郑楚一 万沛鑫 侯勇 韩烨洲 张浩天 邓薇 李晨 郑浩南 海一天 许绍雄 郎月婷 霍青 周晓鸥 佟磊 孙浩 王柠 向佐 刘润南 李依晓 刘柏辛 吴莫愁 左小青 李蔓瑄 王龙正 于洋 刘天佐 陈山聪 包贝尔 王锵 王艺禅 高峰 任帅 姜彤 裴魁山 张继南 邢瀚卿 盛少 赵成顺 百力嘎
1995年，缉毒警林强峰（段奕宏 饰）结束卧底生涯，为追查毒品线索调任西港市禁毒支队。彼时，走私商卢少骅（秦昊 饰）一夜间倾家荡产，却也因此发现冰毒的巨大利润，心生邪念成为一名制毒师。数年间，林强峰带
全33集
2025
国产剧
中国大陆
全38集
